Artistic Director Jennifer Martin calls it “the Olympics of ballet”
Eugene Ballet will present “The Nutcracker with Orchestra Next” at the Hult Center, from Dec. 19–24. This production remains a beloved holiday tradition, blending timeless storytelling with fresh interpretations and dynamic performances.
Principal dancer Sarah Kosterman expressed her hopes for the audience, saying, “I hope this show brings people joy and leaves them with a little pep in their step.” Her husband, lead dancer and Lane Community College alumn Joshua Downard, added, “I hope it inspires them in some way.”
Kosterman, a member of Eugene Ballet for nearly nine years and a principal dancer for the past two, spoke about the variety of roles she will perform this season. “I’ll be playing the Sugar Plum Fairy, Clara, Snow Queen and a Marzipan dancer,” Kosterman said.“Each character has its own distinct personality. The Sugar Plum Fairy is generous and kind, Clara is the heart of the story, the Snow Queen rules over a wintry dreamland and the Marzipan dancer brings a festive charm.”
Downard reflected on his roles, including the Nutcracker, Snow King, Jack in the Box and Marzipan dancer. He shared his approach to portraying the Nutcracker, saying, “I see him as the embodiment of young teen enthusiasm — unselfconscious and full of energy. Sitting on stage during the overture, feeling the orchestra and the audience’s anticipation, is such a thrilling experience.”
Martin highlighted the mix of tradition and new elements in this year’s production. “We’re continuing with the version that audiences have grown to love,” Martin said. This year, we’re excited to introduce a new Sugar Plum Fairy and Cavalier, Hayley Tovonati and Sam Neal, who bring their own unique artistry to these iconic roles.” Due to the number of shows, each performance features a different cast, offering a unique experience as cast members bring their own interpretations to the roles.
The student collaboration with Orchestra Next remains a vital part of the performance. Martin said, “The orchestra features professional first-chair musicians alongside University of Oregon music students. It’s not just a performance; it’s a shared learning experience. The musicians are exceptionally talented, and it’s inspiring to see their growth.”
Martin also emphasized the family-friendly nature of Eugene Ballet’s interpretation, contrasting it with darker versions of the story. “What I love most about our rendition is that it’s not scary. It captures the joy and wonder of the story, making it accessible for all ages,” Martin said. “For families with young children who might not sit through two full acts, the first act contains most of the story. Even if they leave early, they’ve experienced enough to feel fulfilled and connected to the arts.”
Both the dancers and Martin emphasized the performance’s accessibility for younger audiences and students. “This performance is designed with younger viewers in mind,” Kosterman said. “It’s inspiring, approachable, and serves as a wonderful introduction to the arts.”
Performances will take place December 19–24 at the Eugene Hult Center. Tickets start at $25, with student pricing available starting at $18 with valid proof, such as a school ID. Tickets can be purchased at hultcenter.org
